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・ Le sorprese dell'amore
・ Le Souich
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・ Le souper de Beaucaire
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・ Le sourd dans la ville
・ Le Sourire
・ Le sourire du serpent
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・ Le spectacle du Palais des Sports 1980
・ Le Spectre de la rose
・ Le Sphinx
Le Spleen de Paris
・ Le Splendid
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・ Le Stamboul
・ Le Stand de Tir de Versailles
・ Le stanze del vetro
・ Le Statut des Moines
・ Le storie di Farland
・ Le stravaganze del conte
・ Le Studio
・ Le Subdray
・ Le Suchet
・ Le sucre
・ Le Sud-Ouest
・ Le Sueur


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Le Spleen de Paris : ウィキペディア英語版
Le Spleen de Paris

''Le Spleen de Paris'', also known as ''Paris Spleen'' or ''Petits Poèmes en prose'', is a collection of 51 short prose poems by Charles Baudelaire.
The collection was published posthumously in 1869 (see 1869) and is associated with the modernist literary movement.
Baudelaire mentions he had read Aloysius Bertrand's ''Gaspard de la nuit'' (considered the first example of prose poetry) at least twenty times before starting this work. Though inspired by Bertrand, Baudelaire's prose poems were based on Parisian contemporary life instead of the medieval background which Bertrand employed.
He told about his work: "''These are the flowers of evil again, but with more freedom, much more detail, and much more mockery.''" Indeed, many of the themes and even titles from Baudelaire's earlier collection ''Les Fleurs du mal'' are revisited in this work.
These poems have no particular order, have no beginning and no end and they can be read like thoughts or short stories in a stream of consciousness style.
The point of the poems is "to capture the beauty of life in the modern city," using what Jean-Paul Sartre has labeled as being his existential outlook on his surroundings.
Written twenty years after the fratricidal June Days that ended the ideal or "brotherly" revolution of 1848, Baudelaire makes no attempts at trying to reform society he has grown up in but realizes the inequities of the progressing modernization of Paris. In poems such as "The Eyes of the Poor" where he writes (after witnessing an impoverished family looking in on a new cafe): "Not only was I moved by that family of eyes, but I felt a little ashamed of our glasses and decanters, larger than our thirst...", showing his feelings of despair and class guilt.
The title of the work refers not to the abdominal organ (the spleen) but rather to the second, more literary meaning of the word, "melancholy with no apparent cause, characterised by a disgust with everything".〔Definition from ''Le Nouveau Petit Robert 2009''〕
== Major Themes in ''Le Spleen de Paris'' ==


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